They Walked Like Men
by Clifford Simak
p. 1962
p. 1962
In small town America, a series of strange occurrences
pointing towards a sinister invasion begin to present themselves to intrepid
reporter, Parker Graves. As the truth unfolds, Parker must fight to make their
plan known to the world before the situation becomes untenable. Clifford Simak’s
pulp sci-fi novel, They Walked Like Men,
is precisely what I look for when I read novels from this era and genre:
bizarrely unique—almost laughable—situations unapologetically masking deeper
motives. It’s kind of like getting the Best Gift Ever, only packaged in that
loud, ugly wrapping paper your grandmother uses on everything. After you tear
away the nonsense, you can get at the heart of things.
Describing the specifics of They Walked Like Men could only net some incredulous or disparaging
glares. This is a short novel where the alien plan involves unstoppable sentient
‘bowling balls,’ real estate, and tiny, lifelike dolls used as vehicles for
possession, and is at various points foiled by a talking dog and an army of
skunks wrangled by a hillbilly. Like I said: incredulous. Despite all this
indulgent window treatment, the plan is relatively straightforward: the aliens
come in quietly, plant themselves in human form, and slowly but legally
displace all of humanity by buying up their real estate through legal channels and
giving them the boot. Mankind, burdened by our pesky inclinations towards law-abiding,
would soon have nowhere to go (and presumably the aliens would eventually
possess or murder whatever remains of humanity? I’m not sure and the story is
unclear on this point). Simak seems to believe this anyway; I’m not so sure it
would take too long for lawlessness to prevail, but for the purposes of the
story, this is never relevant. The plan works, so long as people remain unaware
of it. Parker, ever the loyal reporter, sets out to make people believe him,
pursued by the aliens and their feeble murder attempts.
The invaders insist they are in the right, because they are
acting within humanity’s legal boundaries. The hypothetical argument posed is
whether it is better to behave legally or morally and Simak’s position is clear
that it certainly isn’t moral behavior. I liked the parallel it posed with big
business or government versus the individual, and the startling relevancy to
issues that still plague us today. With an economy in shambles and so many
forced out of their homes or into bankruptcy, it’s important to ask ourselves
if behaving morally trumps legality. We’re all in this together, after all.
Here is an excerpt from the alien race’s spokesperson:
“Money here on Earth is more than the paper or the metal that you use for money, more than the rows of figures that account for money. Here on Earth you have given money a symbolism such as no medium of exchange has anywhere else that I have ever known or heard of. You have made it a power and a virtue and you have made the lack of it despicable and somehow even criminal. You measure men by money and you calibrate success with money and you almost worship money.”
Even Parker’s obligations are the same as our own—the only
way to solve a problem of this caliber is by first drawing attention to it. We
are so easily lulled into complacency if someone pats us on the back and tells
us to look the other way, something which the banks and various politicians
have been accused of doing. Parker Graves draws attention to his dilemma with a
physical demonstration, perhaps one a little too easy; in reality, it’s much harder to bring about permanent
change, as Occupy Wall Street has, perhaps, proven to us. In any case, I
certainly appreciate a villain whose stance makes you question your own values.
One thing that stood out to me in this book was the numerous
references to Parker’s preoccupation with needing a drink. Every couple of
pages he’d lament that he could use a drink—the novel even starts with him
stumbling home after driving himself there intoxicated (ah, the sixties). It
got to a point where I wondered if the book would go in another direction—that it
would be revealed that our narrator really was
insane, and the invasion plan was all in his alcohol-fueled brain—but it didn’t
turn out that way. I guess we were meant to take Parker’s rampant alcoholism as
an affectation of his character or simply a product of the times, because—though
distracting—it never amounted to much.
The plot is ludicrous and nonsensical, and it provides
nothing in the order of gender equality (though Simak would probably like to
think his passive misogyny is a complement to my sex) but They Walked Like Men still proves why I love these romps in science
fiction’s halcyon days. It is the third alien invasion tale of Simak’s I’ve
read and I look forward to seeing how the fourth plays out.
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