World War Z
by Max Brooks
p. 2006
p. 2006
World War
Z
is a very odd book.
One of the very few ‘zombie novels’ out there, World War Z doesn’t read like a novel; it’s
certainly not a conventional narrative. Penned by Max Brooks, the same author
who wrote the tongue-in-cheek Zombie
Survival Guide, World War Z is
more like a history book with a narrative spin. Reading it feels like you’re
watching a Ken Burns documentary, and if you’re able to immerse yourself in the
individual stories well enough, it’s almost better than any historical
reenactment.
It’s all very ‘break down the third wall’ as Brooks simultaneously
plays author and interviewer, creator and character. Though the ‘interviewer’
himself stays on the outside, it is impossible not to gain some insight into
the character through his introduction and his probing questions. When he
states at the start, “if there is a human factor that should be removed, let it
be my own,” you know you are about to read a series of accounts that are
personal and very human.
Indeed, the individual interviews are interesting, telling and
sometimes gripping as they approach the zombie apocalypse from all sides—early warnings,
civilian experiences, military tactics—and from all parts of the world. I have
got to hand it to Max Brooks—the man did his homework. With the exception of
the zombies themselves, everything in World
War Z is accurate and grounded in reality. It’s what makes the whole thing
so chillingly believable.
On the whole, I appreciate that Brooks set out to give us a story
that really breaks down what such a catastrophic event would look like on a
global scale, because—admit it—we’ve all wondered how we might react in the
event of an actual zombie apocalypse. Brooks’ presentation, however, represents
an incomplete version of the whole story. It’s almost as if Brooks wanted to
write a hundred different stories but couldn’t decide which one so he wrote
them all. Nearly every one of the interviews could make a decent full-fledged
movie about life post-Zombie-Apocalypse in and of itself. It’s the author’s prerogative
to write it the way he wants to but Brooks did kind of spoil the possibility of
ever getting to read any of these stories in their entirety. It’s almost as if
he opted not to write them and decided if he wasn’t then no one could.
The upcoming movie adaptation of this novel sounds nothing like
the book. On the one hand, that’s alright because a straight up adaptation
would be kind of boring, but for the most part, it’s pretty disappointing that
none of the characters are being written straight into the movie, killing the
reader’s one chance of seeing any of these individual stories through to
completion. There will be some parallel characters probably, names changed, but
based on the previews, it’s almost a wonder they were allowed to still call it
World War Z.
With the expansion of the zombie phenomenon into mainstream pop
culture, it was inevitable that we would have to get creative in our approach.
I’m still excited for this movie and any possible book sequels simply because
of the new approach to an existing theme. I feel similarly about Warm Bodies,
the upcoming zombie romance movie (which will only work if it remains
tongue-in-cheek and doesn’t try to be serious). I’m not saying we should all
start taking zombies too seriously, but it’s a force to be reckoned with, and
it’s interesting to see people take the theme of living versus dead to new levels.
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