by Philip Wylie
p. 1963
Something about Triumph feels
really familiar to me... and I don’t think it’s because I just happen to read a
lot of Cold War era post-apocalyptic fiction. The basic plot of Philip Wylie’s Triumph is almost exactly that of
Mordecai Roshwald’s Level 7, the book
that initially sparked my interest in this very specific genre some years
back, so the comparisons in this review are inescapable. Both novels feature
protagonists sequestered in a secure, deep, underground base following
worldwide nuclear holocaust and their struggle to survive in a world they
destroyed in an instant.
Triumph’s chief
protagonist is Dr. Ben Bernman, a scientist who happens to be spending a
weekend at Sachem’s Watch, the estate of millionaire, Vance Farr, when the
world’s arsenal of nuclear technology is unleashed. Luckily for Ben, Vance Farr
is The Man Who Thought of Everything, so when the sirens go off, Farr and his
friends and family retreat to his vast underground shelter, where anything they
could possibly need to survive a long nuclear winter awaits. Not much of import
happens in the two years they spend underground; despite a lot of attractive
young people of various races congregating in limited space, a few extramarital
attractions, and one character’s rampant alcoholism, nothing really dramatic
takes place amongst the ranks of the survivors of Sachem’s Watch. People learn
to cooperate pretty quickly and—with the exception of one moment of insanity
near the end of their internment—jealousy and racism are miraculously not
issues.
I found this novel a bit dry, especially in comparison to Level 7, which is strange when you
consider that Triumph focused on
fourteen civilian survivors (including a billionaire who built a miracle bomb
shelter, his alcoholic wife, his Italian-Irish mistress, and a wunderkind
Japanese technowhiz, among others) whereas Level
7 was a vague narrative focusing on military personnel who lacked even
first names. I think this is because where Level
7 maintained an air of mystery by being so stingy with the details, Triumph tended to overload us with facts,
particularly with dry interludes on the remaining American military and their
vengeful attempts to bring down the ‘Russkies.'
If Vance Farr is The Man Who Thought of Everything in regards to bunker life (he
even thought of providing roller skates for entertainment!) then Philip Wylie
is The Author Who Thought of Everything in regards to surviving nuclear
holocaust. However, I thought the most engaging parts of Triumph were the sporadic diary entries of one survivor describing daily bunker life in her words, and not the 'scientific' or philosophical rambling of the men. I
tended to zone out when Ben and Farr were talking tech.
Then there were the
jarring segments where the violence of the surviving outside world were
described in shocking detail that was atypical of the rest of the book. I feel
these were done for shock value and added very little to the story.
naïve.
My initial feeling towards Triumph
was dislike. When I read Level 7,
I was impressed by its progressiveness. The language was vague and provided no
indicators of whose point of view we were getting; it could be ‘us’ or ‘them’
and in the end, neither side mattered because everyone perished at their own
folly. Triumph, on the other hand,
was not so subtle in their ‘Us’ versus ‘Them’ attitude. The constant references
to ‘Reds’ and ‘Russkies’ getting ‘what they deserved,’ the revenge-driven
interludes with the military, and the obsession with being the ‘winners’ or the
last men standing all left a bad taste in my mouth, as it seemed terribly naive.
However, I am willing to lend Wylie the benefit of the doubt and
say that this opinion was presented solely as a contrast to the progressive
peaceful stance taken by the survivors of Sachem’s Watch. Many times throughout
the book, the characters discuss racial relations and how interesting it is
that the survivors are so amalgamated—white, black, Japanese, Chinese, Jewish,
Italian, rich, poor—it’s a real 'We Are the World' down there. The attitudes
presented may seem dated by today’s politically correct standards, but at the
time, they were progressive. Everyone gets along and race is rarely, if ever, a
matter of contention, so it seems fitting that in the end the fortunate,
well-meaning survivors of Farr’s estate—and not the men whose revenge drove
them to the inevitable murder-suicide of the entire northern hemisphere—seem to be the only living
things to escape the ruins of America unscathed.
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